Printmaking: Monotype, Intaglio,
Etching, Photogravure and Screenprinting
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Orange and Blue Grasses (2012)
Monotype
Wide Grass (2009) Etching
With Viscosity
Locust (2003) Polymer
Intaglio
Birches, Mont-Royal (2009) Photogravure
Prague—Charles Bridge IV (2006) Screenprint |
Monotype I produce monotypes
by making a design on a flat smooth surface (a "plate") and then
printing the design on a piece of paper using a hand-operated etching press
to transfer the design from the plate to the paper. Once the
design is transferred from the plate, very little of the original design is
left on the plate. For this reason there is usually only one print, a monotype,
made from the image that was originally on the plate. Intaglio Ultraviolet
light is used to transfer a digital image printed in black on a transparency
to light-sensitive gelatin film. The gelatin film is then adhered to a flat,
polished copper plate. The image is developed on the copper plate using hot
water. The
resulting plate is etched in a series of up to seven concentrations of ferric
chloride and water. After trimming the excess copper from the edges of the
image, the plate is printed with a printing press using etching ink and
archival paper. Screenprinting The image is created by blocking out those areas of the screen
that are to remain unprinted. This is accomplished by means of traditional
methods such as paper stencils or use of stop-out liquid, or by photographic
methods. The latter involve coating the screen with photopolymer emulsion and
then exposing the coated screen to ultraviolet light through a transparency
that contains the image.
Screenprinting can be used to create an edition of prints or
individual prints. |
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written permission of Mary D. Ott. Page revised January 2013.
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