Printmaking: Monotype, Intaglio,
Etching, Photogravure and Screenprinting
|
|
|
Bouquet of Grasses XXXII
(2008) Monotype
Wide Grass (2009) Etching
With Viscosity
Locust (2003) Polymer
Intaglio
Birches, Mont-Royal (2009) Photogravure
Prague—Charles Bridge IV (2006) Screenprint |
Monotype I
produce monotypes by making a design on a flat smooth surface (a
"plate") and then printing the design on a piece of paper using a
hand-operated etching press to transfer the design from the plate to the
paper.
Once the design is transferred from the plate, very little of the
original design is left on the plate. For this reason there is usually only
one print, a monotype, made from the image that was originally on the
plate. Intaglio
Ultraviolet light is used to transfer a digital image printed in black
on a transparency to light-sensitive gelatin film. The gelatin film is then
adhered to a flat, polished copper plate. The image is developed on the
copper plate using hot water. The
resulting plate is etched in a series of up to seven concentrations of ferric
chloride and water. After trimming the excess copper from the edges of the
image, the plate is printed with a printing press using etching ink and
archival paper. Screenprinting
The image is created by blocking out those areas of the screen that
are to remain unprinted. This is accomplished by means of traditional methods
such as paper stencils or use of stop-out liquid, or by photographic methods.
The latter involve coating the screen with photopolymer emulsion and then
exposing the coated screen to ultraviolet light through a transparency that
contains the image.
Screenprinting can be used to create an edition of prints or individual
prints. |
|
|
Return
to Homepage No part of this web site may be reproduced
without the written permission of Mary D. Ott. Page revised February 2011.
|
.